Luna Cenere is a dancer, choreographer and performer. She is associated artist of the Körper National Center of Production since 2017. She was associated artist of the Oriente Occidente Festival for the two-year period 2019/2020 and supported by the Residence XL action for the year 2019. Luna received the Award from  Danza&Danza 2020 as Emerging Choreographer. With the show Kokoro she was selected as AEROWAVES TWENTY18 artist and wins the award for the Best Choreography of Solocoreografico 2017 , the solo was also selected by NID Platform 2029. In September 2019 Luna received the Positano Léonide Massine Special Prize as a Campanian Talent. Other creations are: Twin (2018); Pneumatika (2018); Natural Gravitation _ tibute to Isadora Duncan ; Zoé (2021) selected by NID Platform 2021; Shoes On (2022) selected by Nid Platform 2023; Vanishing Place (2023) Project winner of the call for new productions by La Biennale di Venezia.

Luna Cenere received a diploma in contemporary dance from the National Center of Dance Promotion ‘Movimento Danza’ in Naples. In 2011 she left Italy to continue her training at SEAD, Salzburg Experimental Academy of Dance where she graduated, and in 2014 she moved to Belgium. In these years she attended international festivals such as the Deltebre Danza Festival, Impulstanz and the Venice Biennale, and studied with masters such as David Zambrano, Francesco Scavetta, Martin Kilvady Josef Frucek, Linda Kapetanea, Matej Kejzar and many others. She participate in the creations of Anton Lacky (Anton Lacky Company) and Josef Frucek (Rootlessroot). In 2014 she works with Simone Fortie and Anton Lacky. In 2016 she became a member of the Virgilio Sieni Company (Italy) in projects such as “La Mer” and “Il Cantico dei Cantici”. In 2017 she worked on Mario Martone’s ‘Capri Revolution’ with the dance direction of Raffaella Giordano.
Luna created the choreographies for the theaters shows ‘Ferito a Morte’ (2022) and Clitennestra (2023) with the direction of Roberto Andò.

Certified contemporary dance teacher at SEAD, she conducts training workshops, movement research projects (such as Genealogia) and improvisation classes.